search-icon
Rowdy YatesLoversRakesh and DishaClu Gulager, 1984VermeerHeadshotRyan Reynolds and Michael BayClapperboard from Fast & FuriousSuperman & LoisFilmed with Arri16Notorious - photograph by Robert CapaAll In Red :ODagmar Roessler WeinertVermeerMusicCamera used in The HindenburgMankBehind the scene Highlander 3Vietnamese GirlMagic Johnson PSA, 1985Vietnamese GirlFrom the Film Star Wars – The Phantom Menace (1999)Ha LongAction!On Set of Airplane Mode (2019)Dark Angels (1998) Girl in casketBTS - Come Una PreghieraThe Suicide SquadVFX PAINTMatrix 4Backstage Poe Poetry of Eerie.WON'T LOOK BACKThe Queen's GambitMusicArmy of the Dead21 Arriflex Sr2Documentary Bong Joon-ho DirectsThe Queen's GambitImage from the video assist systemFrom the Film DownhillArmy of the DeadCamera used in Schindler's ListSomewhere in timeStill from the film RavensteinThe Suicide SquadThe Suicide Squad - Red Komodo, James GunnRob Cohen on truckThe TrollI Wonder Where You Are? :)Vietnamese GirlBetter Watch Out
Alias Studio Collection
Annie Hall (1977)
Cinematographer Gordon Willis 'The Prince of Darkness' on locationBehind the Scenes: Gordon Willis at work in the movie Annie Hall 1977Woody Allen & Panavision
Cinematographer Gordon Willis ‘The Prince of Darkness’ on location Behind the Scenes
photo credit : Brian Hamill 
Member Uploaded Image
Project:
Date of Photo: 1977/01/01
Location: Long Island
Photo Credit: Brian Hamill
Url Photo Credit: http://www.gettyimages.com.au/galleries/photographers/brian_hamill
Copyright Holder:
Original File: SubWillisObitarticleLarge.jpg
File Name: 2016020300003058.jpg
Image Added: February 2, 2016
https://onset.shotonwhat.com/gallery/cinematographer-gordon-willis-the-prince-of-darkness-on-location/

Cinematographer Gordon Willis ‘The Prince of Darkness’ on location

Cinematographer Gordon Willis on location with director/actor Woody Allen, shooting 'Annie Hall' Long Island NY 1977 Gordon Willis was an American cinematographer best known for his work on Francis Ford Coppola’s The Godfather series as well as Woody Allen’s Annie Hall and Manhattan. Willis didn’t work on that many movies, relative to other cinematographers of his generation. He started in feature films late, lensing director Aram Avakian’s controversial 1970 establishment take-down End Of The Road at age 38, after spending years as a cameraman-for-hire in New York; and Willis worked on his last film, The Devil’s Own, in 1997, deciding that he had no patience for the direction that cinema was heading. But between 1970 and 1985 in particular, Willis joined the likes of Haskell Wexler, Néstor Almendros, Vilmos Zsigmond, Sven Nykvist, and Michael Ballhaus as part of a wave of cinematographers who were changing the way cinema looked, playing with lighting and film stock to give images a more tactile quality. One critic suggested that “more than any other director of photography, Willis defined the cinematic look of the 1970s.”
#gordon willis, #woody allen #prince of darkness #Annie Hall The Prince of Darkness
More...
Woody Allen, Gordon Willis
This Image is in
Actors
Behind the Scenes
Cameras
Cinematographers
Directors
Filmmaking
Motion Picture
On Location
Production
Annie Hall (1977)
Panavision Panaflex Camera
TechSpecs at ShotOnWhat?
Panavision Panaflex Camera
Annie Hall (1977) Technical Specifications
Photo Credit
Brian Hamill